Two three-voice instruments from Sweden's Nyström Instruments, both built around touch and generative melody, and both a little different from anything else on your desk. The short answer: Crum Hum is the pure, immediate one: set it going and shape it with your fingertips. HUM 2 is the deeper one, with lockable sequencers, a separate engine per voice, six sensors and full studio connectivity. Here is the longer answer.
The core difference
Crum Hum is a generative instrument first. Three touch-responsive voices run through one of twelve sound engines, and a Random control per voice decides how freely each line wanders. There are few menus and little to set up. You turn it on, pick a scale and play the triangular metal pads. It is built for ambient soundscapes and happy accidents.
HUM 2 takes the same idea much further. Each voice gets its own engine from a choice of 14, its own 64-step sequencer that can generate new phrases or lock a pattern into a loop, and its own Decay, Rand, Tone, Cut and Freq controls. On top of that come six sensors (distance, light, tilt X and Y, two touch pads), four assignable LFOs, 500 presets and a full set of CV, sync, MIDI and USB audio connections. It works as a standalone instrument, but it is also made to sit in a larger setup.
Crum Hum Hands-on generative soundscapesHUM 2 Sensory synth with sequencers and full I/O
Side by side
Crum Hum
HUM 2
Voices
3, touch controlled
3, touch controlled, multitimbral
Sound engines
12
14, selectable per voice
Sequencing
Generative and randomized melody and chord generation
Three 64-step sequencers, generative or locked loops, chords per voice
Scales
12, including harmonic series, microtonal and unquantized
17, including microtonal, overtone series, just intonation and free
Touch control
One triangular metal pad per voice
Three pads per voice: volume in the middle, pitch bend on the sides
Sensors
None
Distance, light, tilt X and Y, two extra touch pads, mappable to any knob
You want an instrument you can switch on and play within seconds, without menus or presets
Ambient, generative and evolving textures are what you are after
You like the idea of guiding the music rather than programming it
You want it now, or you want the more affordable way into Nyström's world
Get the HUM 2 if
You want to lock a generated phrase you like and build on it, per voice
You want a different sound engine on each of the three voices
Playing with movement, light and tilt sounds like your kind of fun
You need proper studio connectivity: line outs, several CV outs, sync and USB audio
You want to save and recall sounds
Can you use both?
Yes, and they pair well. HUM 2's sync output can clock the Crum Hum's clock input, so the two stay in time while each generates its own lines. Put Crum Hum on drifting pads underneath and let HUM 2 play the melodies on top.
Still not sure? Email hey@unzunz.com and tell us what you want to make, and we will tell you which one fits. Both ship from Sweden.
The stand works great!! I have a Digitakt II on the bottom and a TD-3 on top, and it is super solid, no wobble or anything.
A nice aspect of the "2" model is that the telescopic bar of the second level also acts as a sort of support for the cables coming out of the first machine, so there's no stress on the ports at all.
Furthermore, UnzUnz' support was impeccable, as I had previously ordered the Large model and regretted its size, and they made the return process so effortless.
Great stand, it’s lightweight but very sturdy. I am using it with the extra shelf on the top and can play the units on the top with no wobble at all. Came in fully recycleable packaging too which was a nice change for music gear!
This stand fulfilled all my (very high) expectations
This stand fulfilled all my (very high) expectations. Great build quality and the modularity is just amazing. You can completely adapt it to your use case and change it when needed. I also corresponded with the manufacturer and they were very helpful.
Fully recommended!