{"title":"mainpage","description":null,"products":[{"product_id":"swenigiser","title":"swEnigiser","description":"\u003ch4\u003eThe original, full-size, and built to be played.\u003c\/h4\u003e\u003cp\u003eThe swEnigiser is the full-size original in our Analog Sweden range: hand-built in Malmö, entirely analog, and made to hold a stage. Where the compact SWEN2 folds the concept into a travel-friendly box, the swEnigiser keeps the larger footprint, the hands-on panel and the presence that turns it into the centrepiece of a live rig.\u003c\/p\u003e\u003cp\u003eIts design descends from a cult British monosynth of the mid-1990s, a raw, single-voiced analog machine built for the dance floor by one singular engineer, and still named among the great analog synths decades later. The swEnigiser carries that spirit forward: one characterful oscillator, a sub, and a filter that moves from a whisper to a scream. Of the two machines in the range, this is the one that stays closest to that original full-size design, in format, in feel, and in the way it fills a room.\u003c\/p\u003e\u003cp\u003eMeticulously crafted in a high-tech cave in the heart of Malmö, wrapped in a 1.5 mm rigid stainless steel case. A synth built to be turned up, patched into, and played in front of people, not tucked away.\u003c\/p\u003e\u003ch3\u003eTwo in the range\u003c\/h3\u003e\u003cp\u003eIf you want the compact, feature-packed evolution, with a second oscillator, a generative sequencer and USB-C, that is the SWEN2. If you want the original: full-size, hands-on, stage-ready, hand-built and unmistakably analog, this is it.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e1.5 mm rigid stainless steel casing\u003c\/li\u003e\n\u003cli\u003eFront 3.5 mm CV jacks, one 6.3 mm main output, direct out 6.3 mm on the back\u003c\/li\u003e\n\u003cli\u003ePowered by 9-18V center-positive adapter, 300mA or more\u003c\/li\u003e\n\u003cli\u003ePower switch and power-on LED indicator\u003c\/li\u003e\n\u003cli\u003eMIDI to CV converter\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eVoice architecture\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e1 x VCO: sine, tri, square, variable PWM, saw, with slide, VCO mod buss and PWM\/saw shape buss\u003c\/li\u003e\n\u003cli\u003e1 x VCF: 15 modes, with cutoff, resonance, tracking and VCF vol\/drive\u003c\/li\u003e\n\u003cli\u003e1 x VCA: vol\/drive, offset, env buss, LFO buss\u003c\/li\u003e\n\u003cli\u003e1 x sub oscillator with level control\u003c\/li\u003e\n\u003cli\u003e1 x LFO: speed and shape (tri\/saw)\u003c\/li\u003e\n\u003cli\u003e3 x envelopes: ENV 1 (A, D), ENV 2 (A, R), ENV 3 (A, D, S, R)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eExpansion\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMIDI section: 4x CV out, 3x gate out, 3x gate booster in\u003c\/li\u003e\n\u003cli\u003eCV expander section, buffered in\/out\u003c\/li\u003e\n\u003cli\u003eCV out: sin, tri, sqr, PWM, saw, LFO tri, LFO sqr, ENV 1-3\u003c\/li\u003e\n\u003cli\u003eCV in: ENV ext 1-2, LFO ext 1-3, VCO shape, VCO FM + attenuator, VCF inv\u003c\/li\u003e\n\u003cli\u003eAudio input: VCF (pre volume\/drive), VCA + attenuator\u003c\/li\u003e\n\u003cli\u003eCV levels converted to Eurorack standards\u003c\/li\u003e\n\u003cli\u003eMain output and white noise out\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eIn the box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e1 x swEnigiser\u003c\/li\u003e\n\u003cli\u003e1 x 12V EU-standard power supply\u003c\/li\u003e\n\u003cli\u003e2 x 30 cm patch cables\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eWhat is the swEnigiser?\u003c\/strong\u003e\u003cbr\u003eA hand-built, fully analog monophonic synthesizer made in Malmö by Analog Sweden, with one oscillator, a sub oscillator and a 15-mode filter, in a full-size stainless steel body.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow is it different from the SWEN2?\u003c\/strong\u003e\u003cbr\u003eThe swEnigiser is the full-size original: larger, hands-on, and built for stage presence. The SWEN2 is the compact evolution, adding a second (digital) oscillator, a generative sequencer and USB-C power.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs it fully analog?\u003c\/strong\u003e\u003cbr\u003eYes. The signal path is entirely analog.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs it Eurorack compatible?\u003c\/strong\u003e\u003cbr\u003eYes. 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Only eleven were crafted by hand in Analog Sweden's basement in Malmö, Sweden, and only seven go on sale.\u003c\/p\u003e\n\u003cp\u003eSo, except for being a unique piece, what else do you get?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSecret Gorilla designed black housing.\u003c\/li\u003e\n\u003cli\u003eA flight case that would rather die than let anything happen to its unique content.\u003c\/li\u003e\n\u003cli\u003eCable set with LED cables that light up like a party on fire!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBut the absolute kicker is the additional switch on the back. That's right, it's not just limited to \"Wow, a new faceplate design.\" revisions, giving early and current diode clipping implementations and \u003cstrong\u003eadding a new range\u003c\/strong\u003e of \u003cstrong\u003efilter sounds\u003c\/strong\u003e previously \u003cstrong\u003eunavailable on\u003c\/strong\u003e the \u003cstrong\u003eoriginal SWEnigiser.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Analog Sweden Machines AB \u0026 Secret Gorilla AB","offers":[{"title":"Default Title","offer_id":41090568585295,"sku":"SWE1LE","price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/3026\/0303\/files\/IMG_0502Large.png?v=1733829134"},{"product_id":"minibay-v2","title":"DF Audio MINIBAY V2","description":"\u003cp\u003e\u003cstrong\u003eThe desktop patch bay that started it all.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMINIBAY V2 is a compact 40-point patch bay that puts a full studio routing hub on your desk, no 19-inch rack required. Twenty 6.35 mm TRS sockets on the back break out into forty 3.5 mm patch points on top, eurorack style, so every instrument, effect and mixer channel is one short cable away.\u003c\/p\u003e\u003cp\u003eThe layout is built around a simple workflow: instruments on Row A, mixer channels on Row B, effects in the FX rows. Reach up to the effects, reach down to the mixer. Twelve normalling switches sit beneath a small two-screw hatch on the top panel, a set-and-forget configuration that lets A\/B pairs pass through automatically until you patch something new. Two built-in 3-channel passive mixers with dedicated patch points handle quick submixes without leaving the bay.\u003c\/p\u003e\u003cp\u003eMost gear connects with standard insert cables, two mono channels per rear socket, which is how MINIBAY V2 packs this much routing into a desktop footprint. 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Connect up to four pedals via insert cables to the rear TRS sockets, and their inputs and outputs appear as patch points on the top panel, ready to route with standard eurorack or TRS cables. Build effect chains on the fly and re-order pedals without ever crawling behind your desk.\u003c\/p\u003e\u003cp\u003eIt also speaks CV, so it doubles as a breakout box for semi-modular synths with outputs in hard-to-reach places, like the Moog Grandmother, or for gear that sends CV over TRS, like the MPC One. 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soundscapes. \u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHybrid Delay, Pitch Shifter, and Reverb: The Raindrops pedal combines these three effects into one unit, offering a wide range of sonic possibilities.\u003c\/li\u003e\n\u003cli\u003eMultiple Delay Stages and ICs: Features multiple delay stages and integrated circuits, providing depth and complexity to the delay effects.\u003c\/li\u003e\n\u003cli\u003eVariable Delay Times: Delay times range from 50ms up to 1 second, with tap tempo functionality. Delay times above 700ms introduce a lo-fi character with added dirt to the repeats.\u003c\/li\u003e\n\u003cli\u003eTrue Stereo In and Out: Ensures a wide and immersive stereo field for all effects.\u003c\/li\u003e\n\u003cli\u003eThree Algorithms:\n\u003cul\u003e\n\u003cli\u003eModulated Delay: Adds modulation to the delay for a dynamic, evolving sound.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePitch Shifted Delay: Shifts the pitch of the delayed signal for creative effects.\u003c\/li\u003e\n\u003cli\u003eLush Reverb: Provides expansive and rich reverb tails.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCommon Uses\u003c\/h3\u003e\n\u003cp\u003eThe Raindrops pedal can be used for various effects, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard Delay\u003c\/li\u003e\n\u003cli\u003eShimmering Delay\u003c\/li\u003e\n\u003cli\u003eModulated Delay\u003c\/li\u003e\n\u003cli\u003eDelay with Reverb on the Repeats\u003c\/li\u003e\n\u003cli\u003eChorus\u003c\/li\u003e\n\u003cli\u003eReverb\u003c\/li\u003e\n\u003cli\u003ePitch Shift Up\u003c\/li\u003e\n\u003cli\u003eNoise Machine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eConnectivity and Controls\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eInputs\/Outputs: Equipped with TS unbalanced 6.4mm jacks for true stereo input and output.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower Supply: Operates on a standard 9V DC BOSS-style center pin negative power supply (not included).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompact Design: Dimensions are 14 x 10 x 5.6 cm, making it pedalboard-friendly.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCurrent Draw: The pedal draws 220mA of current, ensuring efficient power usage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBuild and Design\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRobust Construction: Built to withstand the demands of live performance.\u003c\/li\u003e\n\u003cli\u003eUser-Friendly Interface: Designed with intuitive controls for easy real-time adjustments, suitable for both live and studio environments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Dreadbox Raindrops pedal is designed to offer musicians a versatile and powerful tool for creating a wide array of delay, pitch shifting, and reverb effects.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":41934103674959,"sku":"DBX-RAIND","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/3026\/0303\/files\/raindrops_05Large.png?v=1718886096"},{"product_id":"darkness","title":"Dreadbox Darkness","description":"\u003cp\u003eThe Dreadbox Darkness pedal is a sophisticated digital reverb effect unit designed to offer rich and dynamic reverb effects suitable for a wide range of musical applications.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDigital True Stereo Reverb: The Darkness pedal provides true stereo input and output, ensuring a wide and immersive soundstage.\u003c\/li\u003e\n\u003cli\u003eFlexible Shimmer Reverb with Gate Function: This feature allows for the creation of lush, shimmering reverb effects with an integrated gate function to control the reverb tail.\u003c\/li\u003e\n\u003cli\u003e32-bit @ 48kHz Digital Effects Processor: High-quality digital processing ensures pristine sound quality.\u003c\/li\u003e\n\u003cli\u003eVariable Time Scale with Modulation: Offers modulation options with Triangle or Sample \u0026amp; Hold waveforms, providing dynamic reverb textures.\u003c\/li\u003e\n\u003cli\u003eSelectable Pitch Shift: Allows pitch shifting of +\/-12 semitones with a variable mix amount, perfect for adding shimmering effects.\u003c\/li\u003e\n\u003cli\u003eUp to 30 Seconds Decay Times: Capable of producing long, atmospheric reverb tails.\u003c\/li\u003e\n\u003cli\u003e2-Pole Damping Filter: Features a selectable high-pass or low-pass filter to shape the reverb tone.\u003c\/li\u003e\n\u003cli\u003eFreeze Function: Incorporates a micro looper that holds up to 150ms of the input signal for creating a freeze effect.\u003c\/li\u003e\n\u003cli\u003eVersatile Gate Effect: Includes variable attack and release times for precise control over the reverb envelope.\u003c\/li\u003e\n\u003cli\u003eSelectable Tails Bypass: Offers the option to let the reverb tails continue when the effect is bypassed, for smoother transitions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e Connectivity and Controls\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eInputs\/Outputs: Equipped with true stereo IN\/OUT using TS unbalanced 6.4mm jacks.\u003c\/li\u003e\n\u003cli\u003ePower Supply: Operates on a standard 9V DC BOSS-style center pin negative power supply (not included).\u003c\/li\u003e\n\u003cli\u003eCompact Design: Dimensions are 14 x 10 x 5.6 cm, making it an easy fit on any pedalboard.\u003c\/li\u003e\n\u003cli\u003eCurrent Draw: The pedal draws 150mA of current, ensuring efficient power consumption.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e Applications\u003c\/h3\u003e\n\u003cp\u003eThe Dreadbox Darkness is ideal for various applications:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGuitars and Synthesizers: Suitable for both instruments, offering versatile reverb options.\u003c\/li\u003e\n\u003cli\u003eContrabass and Other Instruments: Enhances the sound of a wide range of instruments with its high-quality reverb effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e Build and Design\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRobust Construction: Built with durable components to withstand live performance.\u003c\/li\u003e\n\u003cli\u003eUser-Friendly Interface: Intuitive controls allow for easy real-time adjustments, making it a versatile tool for both live and studio use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Dreadbox Darkness pedal is designed to offer musicians a versatile and powerful reverb tool, capable of producing a wide array of reverb effects. \u003c\/p\u003e\n\u003c!----\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":41936407101519,"sku":"DBX-DARKN","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/3026\/0303\/files\/darkness-top-sqLarge.png?v=1718889306"},{"product_id":"thyme","title":"Bastl Thyme+","description":"\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003eThyme+ from Bastl Instruments \u003c\/h2\u003e\n\u003cp\u003eA versatile sequenceable effects processor that excels in real-time sound manipulation. This powerful tool allows users to sculpt audio with delay, modulation, and filtering capabilities, making it perfect for experimental sound design. Its intuitive interface, combined with extensive control options, offers a wide range of creative possibilities. Ideal for live performances and studio work, Thyme+ can transform any sound source into a unique audio experience.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog Input Gain knob up to +20dB\u003c\/li\u003e\n\u003cli\u003eMultiple digital tape read heads\u003c\/li\u003e\n\u003cli\u003e9 adjustable parameters with LED visualization \u003c\/li\u003e\n\u003cli\u003eeach parameter has a dedicated modulation source – a Robot\u003c\/li\u003e\n\u003cli\u003eeach Robot is a powerful modulation source: LFO, envelope follower, ext. CV\u003c\/li\u003e\n\u003cli\u003eoptions for stereo Robot modulation, phase shifting, and more\u003c\/li\u003e\n\u003cli\u003erandomization of parameters\u003c\/li\u003e\n\u003cli\u003erhythmical quantization of Delay time and Robots\u003c\/li\u003e\n\u003cli\u003elow-pass \u0026amp; high-pass filter\u003c\/li\u003e\n\u003cli\u003eFREEZE button for creating Tape Loops\u003c\/li\u003e\n\u003cli\u003eLINK button compensates for the change in Delay time caused by adjusting the Tape Speed\u003c\/li\u003e\n\u003cli\u003etap tempo\u003c\/li\u003e\n\u003cli\u003einternal or external clock for synchronizing Delay, Robot, or Sequencer\u003c\/li\u003e\n\u003cli\u003einternal memory for 8 presets organized in 8 banks (64 presets)\u003c\/li\u003e\n\u003cli\u003ecopy \u0026amp; paste presets even between banks\u003c\/li\u003e\n\u003cli\u003e32-step sequencer with 4 patterns for sequencing presets\u003c\/li\u003e\n\u003cli\u003e2 sequencer modes: Live \u0026amp; Write\u003c\/li\u003e\n\u003cli\u003eKarplus-Strong synthesis method\u003c\/li\u003e\n\u003cli\u003estereo\/mono input and output\u003c\/li\u003e\n\u003cli\u003eMIDI input\u003c\/li\u003e\n\u003cli\u003eanalog clock input\u003c\/li\u003e\n\u003cli\u003eCV input 0–5V (volt per octave for Tape Speed and Delay Time)\u003c\/li\u003e\n\u003cli\u003efootswitch jack for BYPASS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Bastl Instruments","offers":[{"title":"Default Title","offer_id":41963996348495,"sku":"TOBEUPDATED","price":580.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/3026\/0303\/files\/IMG_8996.png?v=1721211881"},{"product_id":"modor-nf-1","title":"Modor NF-1","description":"\u003ch4\u003eDigital and proud.\u003c\/h4\u003e\u003cp\u003eWhile the synth world chases analog, the Modor NF-1 goes the other way, and owns it. Built in Belgium and something of a rarity, this eight-voice DSP synth wears its digital heart on its sleeve, with an unmistakable white panel, angled knob caps and a sound all its own.\u003c\/p\u003e\u003cp\u003eThe name says it all: NF-1 stands for Noises and Formants. Alongside a classic 12dB resonant filter sits a formant filter with morphing vowels, never seen in hardware before it, and ten waveforms per oscillator that run from clean saws to arcade noise, wind and feedback FM. Where many digital synths chase clean perfection, the NF-1 has texture, character and a chameleon range that covers pads, leads, dark evolving harmonics and the genuinely strange.\u003c\/p\u003e\u003cp\u003eA hands-on tweaker's instrument for anyone who thinks digital should sound like nothing else, not like analog.\u003c\/p\u003e\u003ch3\u003ePolyphony\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e8 voices\u003c\/li\u003e\n\u003cli\u003ePoly, Mono, and Mono-legato modes\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eOscillator Section\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e3 fully independent oscillators with 10 waveforms:\u003cul\u003e\n\u003cli\u003eSAW: Pulse width modulation sawtooth wave\u003c\/li\u003e\n\u003cli\u003eSQU: Pulse width modulation pulse wave\u003c\/li\u003e\n\u003cli\u003eTRI: Pulse width modulation triangle wave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSYNC: Oscillator-synced wave\u003c\/li\u003e\n\u003cli\u003eADD: Additive harmonics\u003c\/li\u003e\n\u003cli\u003eSONAR: Resonant bandpass filtered noise\u003c\/li\u003e\n\u003cli\u003eWIND: Wind instrument noise\u003c\/li\u003e\n\u003cli\u003eARC: Arcade game style noise\u003c\/li\u003e\n\u003cli\u003eFM: Sinus FM pair\u003c\/li\u003e\n\u003cli\u003eFBFM: Feedback sinus FM pair\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eFilter Section\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e12dB\/oct resonant filter, mixable between lowpass, highpass, bandpass, and bandstop (notch)\u003c\/li\u003e\n\u003cli\u003eFormant filter with 3 morphing vowels, 10 vowel presets, and user-controllable formant frequencies\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eEffects Section\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eComb filter effect for creating chorus, flanger, and other effects\u003c\/li\u003e\n\u003cli\u003eDelay effect for creating echo effects\u003c\/li\u003e\n\u003cli\u003eAll parameters independently adjustable and modulable\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eModulation Section\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e4 three-stage envelopes, each with 3 level settings and 4 time settings\u003c\/li\u003e\n\u003cli\u003e2 switchable LFOs with TRI\/SAW\/SQU\/SIN waveforms, 1 TRI-LFO connected to modwheel, 1 random S\u0026amp;H with lowpass option\u003c\/li\u003e\n\u003cli\u003eModulation matrix with 7 user-definable modulation wires, 19 source signals, and 86 destination parameters\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eMemory\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e448 patches, organized into 14 banks [A-N] of 32 patches each\u003c\/li\u003e\n\u003cli\u003eAll factory presets are overwritable\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eConnections\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e9V, 600mA adapter connection, positive voltage on center pin\u003c\/li\u003e\n\u003cli\u003eMIDI IN\/THRU\/OUT connections (3x 5-pin DIN)\u003c\/li\u003e\n\u003cli\u003eAudio Left\/Stereo output (6.35mm TRS or mono jack, unbalanced, capable of driving headphones)\u003c\/li\u003e\n\u003cli\u003eAudio Right output (6.35mm mono jack, unbalanced)\u003c\/li\u003e\n\u003cli\u003eSustain switch (6.35mm mono jack)\u003c\/li\u003e\n\u003cli\u003eVolume\/modulation pedal (6.35mm TRS jack)\u003c\/li\u003e\n\u003cli\u003eUSB connector for MIDI (class compliant, no driver installation necessary)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eFront Panel Controls\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e42 rotary knobs\u003c\/li\u003e\n\u003cli\u003e20 pushbuttons\u003c\/li\u003e\n\u003cli\u003e1 rotary encoder\u003c\/li\u003e\n\u003cli\u003e1 Power switch\/volume knob\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDisplay\u003c\/h3\u003e\u003cp\u003e16x2 green backlit LCD display (supports Latin and Cyrillic characters)\u003c\/p\u003e\u003ch3\u003eMIDI\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eRealtime MIDI control for all continuous sound parameters\u003c\/li\u003e\n\u003cli\u003eSupports Pitch Bend, Velocity, Aftertouch (Channel \u0026amp; Poly), Modwheel (CC#1), BreathCtrl (CC#2), CC#3, and Expression pedal (CC#4) modulation\u003c\/li\u003e\n\u003cli\u003eSupports backups and patch exchanges via Patch, Bank, and Memory Sysex Dumps\u003c\/li\u003e\n\u003cli\u003eFirmware upgrades via Sysex\u003c\/li\u003e\n\u003cli\u003eMIDI MPE-compatible\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eMeasurements\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWidth: 440mm (without rack ears), 480mm (with rack ears)\u003c\/li\u003e\n\u003cli\u003eHeight: 267mm (10.5\" \/ 6U)\u003c\/li\u003e\n\u003cli\u003eDepth: 40mm (front) - 80mm (back)\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 6kg\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eRack Mountable\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e6 rack units height\u003c\/li\u003e\n\u003cli\u003eRecessed backside connections for easy rack mounting (no lost rack space above)\u003c\/li\u003e\n\u003cli\u003eRack mounting ears included plus wooden sides for desktop use.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Modor Music","offers":[{"title":"Default Title","offer_id":41965490634831,"sku":"MODORNF1","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/3026\/0303\/files\/ModorNF1-wood-WEB02_1a0597ed-1893-4d70-bff7-a729ea3241ac.jpg?v=1720352182"},{"product_id":"swenigiser-proto-vcf-a","title":"swEnigiser Proto VCF\/A","description":"\u003ch4\u003eThe swEnigiser filter and VCA, in Eurorack.\u003c\/h4\u003e\u003cp\u003eThe Proto VCF\/A brings the characterful filter and VCA from our swEnigiser range into Eurorack format. This finely tuned 12hp module offers a 3 x 4 filter configuration, twelve modes in all, with dual audio inputs and multiple CV control options for sculpting your sound. The VCA section adds a gritty drive and a CLIP switch that toggles between old and new diode implementations, delivering raw, analog character straight into your rack.\u003c\/p\u003e\u003cp\u003eAt just 22 mm deep, it is skiff friendly and fits comfortably in shallow cases.\u003c\/p\u003e\u003ch3\u003eVCF (Voltage-Controlled Filter)\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModes\u003c\/strong\u003e: 3 x 4 filter modes, twelve in all\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFilter core\u003c\/strong\u003e: 4 x 6dB cells in series with selectable inputs (A, B, C) and outputs (1-4)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput A\u003c\/strong\u003e: LP1, LP2, LP3, LP4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput B\u003c\/strong\u003e: 1-pole notch, 2-pole LP, 3-pole LP, 4-pole LP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput C\u003c\/strong\u003e: HP1, BP1, BP2, BP3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eResonance\u003c\/strong\u003e: self-oscillating, from sine to square depending on clip mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInputs\u003c\/strong\u003e: 2 x audio input with drive\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCV\u003c\/strong\u003e: 2 x cutoff CV attenuator inputs, 1 x cutoff CV input tunable to 1V\/oct\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRouting\u003c\/strong\u003e: VCF output normalled to VCA input\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eVCA (Voltage-Controlled Amplifier)\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput\u003c\/strong\u003e: 1 x audio input with drive, normalled from VCF output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCV\u003c\/strong\u003e: 2 x CV input, CV1 knob adds offset for drones and sustained tones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCLIP switch\u003c\/strong\u003e: toggles between old and new Enigiser diode settings, adjusting drive character\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e12 hp, 22 mm deep, skiff friendly\u003c\/li\u003e\n\u003cli\u003eCurrent draw: 22 mA on +12V, 22 mA on -12V\u003c\/li\u003e\n\u003cli\u003e2 mm aluminium panel, available in sand blasted silver or powder coated black\u003c\/li\u003e\n\u003cli\u003eIncludes power cable, 4 screws and nylon washers\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Analog Sweden Machines AB","offers":[{"title":"Silver","offer_id":42106427867215,"sku":"SWEEUR-S","price":260.0,"currency_code":"EUR","in_stock":true},{"title":"Black","offer_id":42087557660751,"sku":"SWEEUR-B","price":260.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/3026\/0303\/files\/vcfasilver1.jpg?v=1724253790"},{"product_id":"liquid-sky-d-vices-v4co","title":"Liquid Sky d-vices V4CO","description":"\u003cp\u003eThe Liquid Sky d-vices V4CO is a powerful dual 8-bit wavetable oscillator designed for Eurorack systems, combining sub-bass, overdrive, and four VCAs in one module. 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Stack two compact machines where one used to sit: a Volca over a Volca, a Mother-32 above a DFAM, a Boutique on a Boutique. Same small footprint, same patent-pending adjustability, now going upward. 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The Adapt Medium 1 handles a huge range of medium gear: Elektron boxes, Dreadbox synths, Make Noise, and much more. The stand flips into three orientations, and every Adapt Hook repositions to fit your machine. 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Stack two big machines where you thought only one would fit: an MPC over a Push, a Jupiter-Xm above an angled Elektron. Holds Akai Force, MPCs, Hydrasynth desktop, TR-8S, MX-1, Push, and up to six Volcas with optional shelves. 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The Adapt Tier WIDE adds a second level to your Adapt Large 1 or Large 2, giving heavyweight machines a home up top without a second stand. Attach it angled or flat, reposition the hooks, and stack your setup vertically. Ships with two heavy-duty threaded knobs. 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It features an AS3340-based VCO offering square, sawtooth, sub-oscillator and noise waveforms, alongside an AS3109-based filter circuit inherited from Roland's Jupiter and Juno series.\u003c\/p\u003e\n\u003cp\u003eThe layout mirrors the SH-101\/MC-202's control scheme for LFO, VCA, and ADSR, while adding expanded features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo auxiliary inputs with dedicated volume control\u003c\/li\u003e\n\u003cli\u003eSwitchable linear\/exponential VCA response\u003c\/li\u003e\n\u003cli\u003eEnhanced connectivity including MIDI, USB-C, CV\/Gate inputs\u003c\/li\u003e\n\u003cli\u003eSynth\/Mix outputs and headphone out\u003c\/li\u003e\n\u003cli\u003e9V DC power (adapter included)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe synth delivers clear yet warm tones reminiscent of the SH-09, known for its powerful bass and PWM capabilities. Its sound has found favor with artists like Mijk van Dijk, Modeselektor, and Thomas P. 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Available with all original 3 voice cards and compatible with 3rd party operating systems, as well as a new AS3109 filter, a modern reissue of the original Roland filter chip.\u003c\/p\u003e\u003cp\u003eXena Features:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e6 voices with individual outputs, one Mix output (Mono)\u003c\/li\u003e\n\u003cli\u003e2 digital oscillators per voice, with 36 oscillator algorithms\/wavetables\u003c\/li\u003e\n\u003cli\u003e1 sub-oscillator, also configurable as a transient generator\u003c\/li\u003e\n\u003cli\u003ePre-filter overdrive and bit-crushing effect\u003c\/li\u003e\n\u003cli\u003eAnalog 4-pole filter (or 2-pole multimode filter depending on the type of voicecard used) and VCA\u003c\/li\u003e\n\u003cli\u003e3 ADSR envelopes, 3 patch-level LFOs, 1 voice-level LFO\u003c\/li\u003e\n\u003cli\u003eModulation matrix with 14 slots and 4 modulation modifiers\u003c\/li\u003e\n\u003cli\u003e1 arpeggiator, 1 note sequencer and 2 step sequencers per part\u003c\/li\u003e\n\u003cli\u003eFlexible mapping of the 6 voices. A single patch with 6 voice-polyphony, 6 independent mono parts, 2 layered patches with 3-voice polyphony, a 3-voice unison bass line on the lower half of the keyboard with a 3-voice unison lead on the upper half... all are possible!\u003c\/li\u003e\n\u003cli\u003eMicroSD storage allows the storing of a lifetime of patches, programs and multis, along with the history of editing operations for undo\/redo\u003c\/li\u003e\n\u003cli\u003eEasy to change voice cards\u003c\/li\u003e\n\u003cli\u003eCase size: 10.5 x 6.5 x 1.75 inches\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eFilter Options\u003c\/h3\u003e\u003cp\u003eThe device is available with the original 3 Mutable voice cards (more will be added later on). Mixing voice cards is possible but not recommended.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSMR Filter:\u003c\/strong\u003e This filter uses the same topology as the Shruthi SMR4mkII. It is a low-pass 4-pole OTA-C filter, a smooth, Rolandish type of filter.\u003cbr\u003e\u003cstrong\u003e4P Filter:\u003c\/strong\u003e This filter uses the same core as the Shruthi 4-Pole Mission but only offers the LP4 output. The 4P is a bit fuzzier than the SMR type.\u003cbr\u003e\u003cstrong\u003eSVF Filter:\u003c\/strong\u003e This filter board features a 2-pole state variable filter with low-pass, band-pass and high-pass modes. It is half of the Shruthi SVF Filter.\u003c\/p\u003e","brand":"Michigan Synth Works","offers":[{"title":"4P: 4-Pole VC Integrator Based","offer_id":55049863201151,"sku":"MSW-Xena-4P","price":465.0,"currency_code":"EUR","in_stock":true},{"title":"SMR: 4-Pola OTA Based","offer_id":55049863233919,"sku":"MSW-Xena-SMR","price":465.0,"currency_code":"EUR","in_stock":true},{"title":"SVF: 2-Pole Multimode SVF","offer_id":55049863266687,"sku":"MSW-Xena-SVF","price":465.0,"currency_code":"EUR","in_stock":true},{"title":"3109: Roland Inspired 4-Pole LPF","offer_id":55049863299455,"sku":"MSW-Xena-3109","price":499.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/3026\/0303\/files\/Xena1_1.png?v=1738767452"},{"product_id":"msw-bella","title":"MSW Bella","description":"\u003ch4\u003eAnalog voice, digital brain, generative drums.\u003c\/h4\u003e\u003cp\u003eBella is a monophonic synthesizer with an all-analog signal path, paired with a lo-fi digital drum synthesizer, both driven by an on-board sequencer and arpeggiator with generative drum patterns. It is Michigan Synth Works' machine-assembled take on the Mutable Instruments Anushri, designed by Émilie Gillet.\u003c\/p\u003e\u003cp\u003eThe audio chain is analog from end to end. The main sound source is a VCO with sawtooth and pulse-width waveforms, coupled with a sub-oscillator, into a multimode 12dB\/octave filter with low-pass, band-pass and high-pass modes. A switchable fuzz circuit sits between the filter and VCA for a heavy dose of distortion. Alongside runs an auxiliary digital oscillator, usable as an FM source, a sync signal generator, or an extra detuned voice for fattening the VCO.\u003c\/p\u003e\u003ch3\u003eSequencer and arpeggiator\u003c\/h3\u003e\u003cp\u003eThe built-in arpeggiator turns chords into complex basslines and acid patterns with accent and slides. The sequencer keeps things refreshingly simple: press rec, play notes on a MIDI keyboard or tap the rest and tie buttons, press rec again, then start. Sequences can be transposed straight from the keyboard.\u003c\/p\u003e\u003ch3\u003eGenerative drum machine\u003c\/h3\u003e\u003cp\u003eBella's rhythm section is original in both sound and interface: 8-bit analog-style synthesis with an integrated bit-crusher, sculpted with knobs rather than x0x-style switches and LEDs. Two knobs morph through different drum pattern structures, and three knobs control how sparse or dense the pattern is for the bass drum, snare and hi-hat.\u003c\/p\u003e","brand":"Michigan Synth Works","offers":[{"title":"Default Title","offer_id":55049882403199,"sku":"MSW-Bella","price":434.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/3026\/0303\/files\/bellafrontsm_1.jpg?v=1738767492"},{"product_id":"msw-sy-1-analog-drum-synthesizer","title":"MSW SY-1 Analog Drum Synthesizer","description":"\u003ch4\u003eThe Pearl Syncussion, resurrected.\u003c\/h4\u003e\u003cp\u003eThe MSW SY-1 is a full-size, exact replica of the Pearl SY-1 Syncussion, one of the rarest and most sought-after analog drum synthesizers ever made. Every detail has been replicated, from the original board layouts to the mechanical construction, modernized for current manufacturing with parts carefully chosen to match the behavior of the original. Case, boards and I\/O boards are all interchangeable with an original Pearl unit.\u003c\/p\u003e\u003cp\u003eAssembled units ship with the metal back as standard.\u003c\/p\u003e\u003ch3\u003eThe Syncussion\u003c\/h3\u003e\u003cp\u003eTwo drum voices, each with two oscillators and six modes: five modes mix and modulate the oscillators, plus a noise channel. Each voice has controls for tune, decay, sweep amount, sweep speed, sweep direction, LFO amount, LFO speed, LFO shape (triangle or square) and sample and hold.\u003c\/p\u003e\u003ch3\u003eOscillator modes\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eA: One oscillator, with the classic drum synthesizer sweep\u003c\/li\u003e\n\u003cli\u003eB: One oscillator modulating the other's frequency, for metallic tones\u003c\/li\u003e\n\u003cli\u003eC: A mix of both oscillators, close to a vibraphone\u003c\/li\u003e\n\u003cli\u003eD: Both oscillators with a low-to-high sweep driven by how hard the pad is hit\u003c\/li\u003e\n\u003cli\u003eE: Cross-modulated oscillators mixed with noise, like striking thin metal\u003c\/li\u003e\n\u003cli\u003eF: Noise only\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eTriggering and control\u003c\/h3\u003e\u003cp\u003eThe SY-1 is designed for drum triggers with a very low pulse signal. Modern 5V v-trig signals work, but the dynamic response is where the Syncussion truly shines, so experiment with audio samples or dynamic triggers rather than flat pulses.\u003c\/p\u003e\u003cp\u003eThese units are the MIDI-equipped I\/O configuration: per-voice CV control (1V\/oct), plus MIDI in with velocity controlling trigger level and pitch for each channel. TRS-TS and TRS MIDI cables are included.\u003c\/p\u003e","brand":"Michigan Synth Works","offers":[{"title":"Grey","offer_id":55049900851583,"sku":"MSW-SY-1 MIDI Grey","price":838.0,"currency_code":"EUR","in_stock":true},{"title":"White","offer_id":55049900884351,"sku":"MSW-SY-1 MIDI White","price":838.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/3026\/0303\/files\/PXL_20230415_211024197.PORTRAIT.ORIGINAL_1.jpg?v=1738767540"},{"product_id":"ppg-1002-mk2","title":"PPG 1002 Mk2","description":"\u003cp\u003e\u003cstrong\u003eBorn from Wolfgang Palm's original hand-scribbled blueprints, the PPG 1002 is back.\u003c\/strong\u003e Not \"inspired by\". Not \"close enough\". This is an official reissue, rebuilt with surgical precision and a frankly unreasonable level of care.\u003c\/p\u003e\n\u003cp\u003eLimited edition. Fully analog. The real circuitry, the real bite, the real PPG magic, resurrected for musicians who actually use their gear and collectors who know exactly what this is.\u003c\/p\u003e\n\u003cp\u003eAnd no, it's not the old keyboard format. This one arrives in the proper classic console-style housing, true to the original 1002 design language, ready to sit front and center like it owns the room.\u003c\/p\u003e\n\u003ch2\u003eA piece of synth history\u003c\/h2\u003e\n\u003cp\u003eThe original PPG 1002 was one of the last fully analog synthesizers Wolfgang Palm ever built. Introduced in the mid-1970s, it was a portable, monophonic analog machine made in tiny numbers, and it laid the groundwork for everything that followed: the PPG 360, the Wave 2, the Wave 2.2, and the wavetable synthesis that made PPG a legend. Only around two dozen originals were ever made, and barely a handful still work today. For decades, owning a real 1002 was close to impossible.\u003c\/p\u003e\n\u003cp\u003eThe Mk2 changes that. Wolfgang Palm joined forces with Cornel Hecht and the Liquid Sky collective to recreate the 1002 faithfully, with new components, modern reliability and a warranty, so this rare voice can finally live in your studio instead of a museum.\u003c\/p\u003e\n\u003ch2\u003eFaithful to the original, built for today\u003c\/h2\u003e\n\u003cp\u003eThe Mk2 recreates the original circuit design, then adds the few things a modern studio actually needs:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMIDI and CV\/gate with velocity, so it plays nicely with the rest of your rig\u003c\/li\u003e\n\u003cli\u003eA square wave and oscillator sync on oscillator 2, expanding the original palette\u003c\/li\u003e\n\u003cli\u003eRock-solid modern components for stability the 1970s could only dream of\u003c\/li\u003e\n\u003cli\u003eConsole-style desktop housing instead of the original keyboard, so it drops straight onto your desk\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEverything that made the original sing is intact: the 24dB low-pass filter, the temperature-compensated oscillators, the raw analog character. Nothing sampled, nothing modelled. 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The 1002 Mk2 is a fully analog, monophonic synthesizer. Nothing digital, nothing modelled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow many were made?\u003c\/strong\u003e\u003cbr\u003eThe Mk2 is a strictly limited run of 102 handcrafted units worldwide.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow is it different from the original 1002?\u003c\/strong\u003e\u003cbr\u003eIt faithfully recreates the original circuitry, then adds MIDI and CV\/gate with velocity, a square wave and sync on oscillator 2, modern stability, and a console-style desktop format in place of the original keyboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes it have a keyboard?\u003c\/strong\u003e\u003cbr\u003eNo. The Mk2 is a desktop instrument in classic console-style housing, controlled over MIDI or CV.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn a piece of music history. When the 102 are gone, they are gone.\u003c\/strong\u003e\u003c\/p\u003e","brand":"PPG Synth","offers":[{"title":"Default Title","offer_id":56684940329343,"sku":null,"price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/3026\/0303\/files\/DSC01204BackgroundRemoved.png?v=1776075968"},{"product_id":"msw-820-analogue-synthesizer","title":"MSW-820 Analogue Synthesizer","description":"\u003ch4\u003eRoland DNA, rebuilt for 2026.\u003c\/h4\u003e\u003cp\u003eThe MSW-820 is a compact, fader-heavy analog monosynth from Michigan Synth Works, and its roots run straight through the golden age of Roland mono synths. The oscillators are AS3340-based, the filter core is AS3109, the very same chip family that gave the SH-101, MC-202 and CMU-810 their unmistakable voice. This is that immediate, characterful Roland-style tone, rebuilt from the silicon up and handed a whole lot more to play with.\u003c\/p\u003e\u003cp\u003eThe headline is the filter. Sixteen modes, all analog, built around an AS3109 in a pole-mixing arrangement borrowed from the Caveman Totem module. Two banks of eight cover 24dB and 12dB lowpass, highpass, bandpass, notch, allpass and a generous run of hybrid responses that go well beyond the usual mono-synth menu. And hidden just above the cutoff sits a small attenuverter simply labelled THIS. Turn it up and VCO1's triangle routes straight into the filter at audio rate. Filter FM, right there on the panel, no patching required.\u003c\/p\u003e\u003cp\u003eTwo oscillators with saw, pulse and PWM, hard sync and glide. A second envelope, a digital noise source with eight flavors, and a syncable digital LFO with eight crossfadeable shapes. The whole thing runs from a single USB-C cable.\u003c\/p\u003e\u003cp\u003eSmall box. Deep synth.\u003c\/p\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ch3\u003eVCOs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAS3340 Based, Pulse and Sawtooth Waveforms\u003c\/li\u003e\n\u003cli\u003eENV Modulation (OSC1) and LFO Modulation (OSC2)\u003c\/li\u003e\n\u003cli\u003eRange: 16'\/8'\/4', 7 Octaves\u003c\/li\u003e\n\u003cli\u003ePulse Width Modulation: 50% to Min\u003c\/li\u003e\n\u003cli\u003ePWM Mode: ENV\/Manual\/LFO Modulation\u003c\/li\u003e\n\u003cli\u003eMaster and OSC2 (offset) Tune Control\u003c\/li\u003e\n\u003cli\u003ePulse\/Sawtooth Mixer control per Oscillator\u003c\/li\u003e\n\u003cli\u003e2 Hard Sync Modes: O2 Track Pitch or O2 Do not track pitch\u003c\/li\u003e\n\u003cli\u003e2 Reset Modes: Reset O1 on gate or Reset O1 and O2 on gate\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSound Mixer\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eExternal Input (pre filter), OSC 1 Level\u003c\/li\u003e\n\u003cli\u003eOSC 2 Level\u003c\/li\u003e\n\u003cli\u003eSub Osc Level tracking OSC1 with 1, 2, and 2 PWM Octave Settings\u003c\/li\u003e\n\u003cli\u003eNoise Level with 8 Noise Models: White, Pink, Hex Invert, Crackle, Orgone (pitched), Sonar (pitched)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eVCF\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAS3109 based, 16 Modes. Low Pass, High Pass, Band Pass, Allpass (aka Phase)\u003c\/li\u003e\n\u003cli\u003eCutoff Frequency: 10Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eResonance: 0 to Self Oscillation\u003c\/li\u003e\n\u003cli\u003eCV Follow: 0-100%\u003c\/li\u003e\n\u003cli\u003eTHIS knob (audio-rate filter modulation from OSC1's triangle output)\u003c\/li\u003e\n\u003cli\u003eEnvelope Modulation via Attenuverter (-5 to 10)\u003c\/li\u003e\n\u003cli\u003eLFO Modulation via Attenuverter (-5 to 10)\u003c\/li\u003e\n\u003cli\u003ePitch Modulation via Attenuverter (-5 to 10)\u003c\/li\u003e\n\u003cli\u003eExternal CV Modulation via Attenuverter (-5 to 10)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eLFO\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eRate: 0.1 Hz to 22 Hz\u003c\/li\u003e\n\u003cli\u003e8 Shapes with crossfade between shapes: Sine, Square, Ramp, Tri, Saw, Expo Decay, Random, Smoothed Random\u003c\/li\u003e\n\u003cli\u003e2 Reset Modes: Reset on Gate, and Reset on Gate with Phase Control (via Fade knob)\u003c\/li\u003e\n\u003cli\u003eFade Control (LFO Delay with Fade in)\u003c\/li\u003e\n\u003cli\u003eBipolar Rate indicator\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eEnvelopes\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAttack time: 1.5 ms to 2 s\u003c\/li\u003e\n\u003cli\u003eDecay time: 2 ms to 10 s\u003c\/li\u003e\n\u003cli\u003eSustain Level: 0-100%\u003c\/li\u003e\n\u003cli\u003eRelease Time: 2 ms to 10 s\u003c\/li\u003e\n\u003cli\u003eModulation Envelope is hardwired to Modulation bus\u003c\/li\u003e\n\u003cli\u003eVCA Envelope is hardwired to VCA\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eVCA \/ Output Mixer\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eVCA Control\u003c\/li\u003e\n\u003cli\u003eExternal Input (post filter\/Env)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eInputs \/ Outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMIDI IN, TRS 3.5mm PSIMIDI (either A or B)\u003c\/li\u003e\n\u003cli\u003eClock IN to Control LFO 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86\u003c\/li\u003e\n\u003cli\u003eFilter freq (via ExtCv slider): CC# 74\u003c\/li\u003e\n\u003cli\u003eNoise select*: CC# 30\u003c\/li\u003e\n\u003cli\u003eNoise click mode (switch @ 64): CC# 89\u003c\/li\u003e\n\u003cli\u003ePorta time*: CC# 5\u003c\/li\u003e\n\u003cli\u003ePorta on\/off (switch @ 64)**: CC# 65\u003c\/li\u003e\n\u003cli\u003ePorta glide mode (switch @ 64): CC# 85\u003c\/li\u003e\n\u003cli\u003eMod wheel: CC# 1\u003c\/li\u003e\n\u003cli\u003eMod depth, LFO to Pitch amount in semitones*: CC# ??\u003c\/li\u003e\n\u003cli\u003eVelocity to filter mod amount*: CC# ??\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e*Setting is saved\u003cbr\u003e**Saved, but only activated when MIDI is detected\u003c\/p\u003e\u003ch3\u003ePower\u003c\/h3\u003e\u003cp\u003e5V DC, 200 mA, USB-C (adapter included)\u003c\/p\u003e\u003ch3\u003eDimensions\u003c\/h3\u003e\u003cp\u003e220 x 120 x 50 mm, 900 g\u003c\/p\u003e","brand":"Michigan Synth Works","offers":[{"title":"Default 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generator.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vRvR635_UgY?si=Ml7kbIE5Cx_ZELdg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDESCRIPTION:\u003c\/strong\u003e Standalone utility module\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIO:\u003c\/strong\u003e 4 x TS inputs (top); 1 x TRS input (back); 4 x TS outputs (top)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCHANNELS 1-2:\u003c\/strong\u003e Signal boost; envelope followers; parallel\/mix\/split\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCHANNELS 3-4:\u003c\/strong\u003e Buffered attenuators; parallel\/mix\/split; DC-coupled\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCHANNEL 3:\u003c\/strong\u003e DC offset (enabled by DIP switch on PCB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePOWER:\u003c\/strong\u003e DC 9V, centre-negative (standard guitar 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